Decades later, the track remains a staple in DJ sets. It captures a specific moment in late-90s optimism where the raw power of Old School Hip-Hop met the polished production of
It served as a historical bridge, proving that old-school hip-hop vocals could be seamlessly integrated into modern electronic music spaces. 3. The Rebirth: The Raxon Edit
In the mid-1980s, Run-D.M.C. helped bring hip-hop from city ... - Facebook RUN DMC- Jason Nevins - It-s Like That -Raxon E...
This report analyzes the 1997 global phenomenon "It's Like That" by Run-D.M.C., specifically focusing on the Jason Nevins remix that revitalized the track for a new generation. It further contextualizes the reference to "Raxon," acknowledging the track's continued relevance in modern electronic and techno circles. The report details the track's commercial impact, production style, and historical significance in bridging Old School Hip-Hop with mainstream House music.
| Element | Run-DMC (1983) | Jason Nevins (1997) | Raxon (2020s style) | |--------|----------------|----------------------|----------------------| | Tempo | ~105 BPM | ~130 BPM | ~124 BPM | | Genre | Old-school hip-hop | Big beat / breakbeat | Tech-house / minimal | | Vocals | Full verses | Chopped phrases, loops | Filtered, atmospheric chops | | Bass | Simple drum machine | Filtered, squelchy | Deep, rolling sub-bass | | Energy | Laid-back but confrontational | High-energy peak time | Hypnotic, groovy | | Audience | Hip-hop heads | Club/rave mainstream | Underground electronic | Decades later, the track remains a staple in DJ sets
Revolutionized hip-hop with minimalist drum machines and a raw street aesthetic. Jason Nevins House / Electro-Dance
If you are seeking a specific edit, I recommend checking or YouTube for “Run DMC vs Jason Nevins – It’s Like That (Raxon bootleg)” – though no widely distributed release matches that name. The Rebirth: The Raxon Edit In the mid-1980s, Run-D
As Run and D.M.C. once barked: "You can't forget that, so don't forget that..."
Below is a detailed article exploring the history, impact, and evolution of this iconic track — from its hip-hop origins to its big beat revival and eventual rework in modern electronic music.
Because the track heavily samples the copyrighted 1997 vocals and production owned by Sony/Smash Records, a formal commercial release on major streaming platforms remains complex. However, underground electronic music fans can find preview clips, live recordings, and fan uploads of the across community networks:
The result was raw, relentless, and impossibly catchy. Nevins’ remix retained the grit of the original but pushed it into dancefloor territory — something few had attempted with golden-era hip-hop.