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is not merely a product. It is a time machine calibrated to 1971, wrapped in 2025’s best digital preservation technology. For fans of Buñuel’s dream language, for students of early ’70s French-Italian co-productions, and for anyone who believes film grain is a storytelling tool rather than a defect, this release is essential.

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A newly discovered 16mm short film by a Spanish-French avant-garde filmmaker named Maria Pía (b. 1942), who served as an assistant to Buñuel’s set designer. The short, titled Le regard fixe (The Fixed Gaze), is a wordless diptych of a woman walking through a series of red-velvet doors. It directly mirrors the composition of Séverine’s first visit to Madame Anaïs. UltraFilms secured the rights from the Pía estate.